ストリーミングサービス
ダウンロードストア
トラックリスト
01. April’s here again!
2000年頃作曲に目覚め、以来ソロ、デュオ、トリオ、カルテット等々さまざまな楽器と演者、スタイルによってオリジナルの世界を試行錯誤しながら構築。多面的なアプローチと妄想的アイディアは、透明で静謐、時に物騒でエロティック、ストイックかつユニークな一面を持つ。自らまたは他者の「生」についての追認、そして普遍的な体験や記憶を辿りながら、時には夢をもコラージュし「普遍的な生」を一貫とした作品の要とする。ライヴ活動を行うかたわら、楽曲提供等の作曲活動も行っている。2019年より自らの作品のアーカイヴに重きをおいて生息中。2024年よりシュウカツの意も込めて、過去から現在のオリジナル作品を録音して毎月配信、セルフプロデュースによるriquoshoo （リコ集、リコ臭、リコ終etc.）に力を注いでいる。
translation by Ai🤖
I discovered composition around the year 2000, and have since been constructing my original sonic world through constant trial and error—working across solo, duo, trio, quartet formats and beyond, with a wide range of instruments, performers, and styles.
My multifaceted approach and imaginative—sometimes delusional—ideas give rise to works that are transparent and tranquil, yet at times dangerous, erotic, stoic, and singular in character. By revisiting my own life, or that of others, tracing universal experiences and memories, and occasionally collaging fragments of dreams, I consistently place “universal life” at the core of my work.
Alongside live performance, I also compose and provide music for other artists. Since 2019, I have placed increasing importance on archiving my own works as an integral part of my practice.
In 2024, I launched riquoshoo, a monthly release project of original works. The name hints at “collection,” “scent,” and “ending.”
translation by Ai🤖
I discovered composition around the year 2000, and have since been constructing my original sonic world through constant trial and error—working across solo, duo, trio, quartet formats and beyond, with a wide range of instruments, performers, and styles.
My multifaceted approach and imaginative—sometimes delusional—ideas give rise to works that are transparent and tranquil, yet at times dangerous, erotic, stoic, and singular in character. By revisiting my own life, or that of others, tracing universal experiences and memories, and occasionally collaging fragments of dreams, I consistently place “universal life” at the core of my work.
Alongside live performance, I also compose and provide music for other artists. Since 2019, I have placed increasing importance on archiving my own works as an integral part of my practice.
In 2024, I launched riquoshoo, a monthly release project of original works. The name hints at “collection,” “scent,” and “ending.”
日本では四月は桜の季節。毎年ほんのひとときだけ姿を見せるその花は、
人生の儚さや脆さ、巡り続ける時間への深い感慨など、さまざまな思いを呼び覚ます。
同じ時代を生きる人々が出会い、別れ、感情が交錯する中で、時間は流れ続けていく。人、物、仕事、etc…私たちを取り巻くあらゆるものとのつながりは、無理につくるものではなく、ごく自然に生まれるものでありたい、あって欲しいと常に思っています。例え目に見えなくても、誰にも気づかれなくても、そこには確かに存在する絆や想いがある。そんな静かなつながりを、私はとても大切に感じています。この歌を作った当時も、そんな事を強く思っていた記憶。2008年、ブラジル音楽に興味を持った時期に作りました。
The longer life goes on, the faster the changing of the seasons seems to feel.
In Japan, April is cherry blossom season. These flowers, which appear for just a fleeting moment each year,
evoke a variety of emotions—the transience and fragility of life, and a deep sense of the ever-turning cycle of time.
As people living in the same era meet, part ways, and their emotions intertwine, time continues to flow.
People, things, work, etc.—the relationships with everything that exists around us are not formed intentionally;
I want them all to be natural. The quiet bonds and feelings that should exist are precious, and even if they are invisible and unknown, they are there… I often feel this way when living my life. And when I wrote this song, I felt and wished for this strongly as well.
I composed it in 2008, during a time when I was interested in Brazilian music