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01. 夏の日の。。。
2000年頃作曲に目覚め、以来ソロ、デュオ、トリオ、カルテット等々さまざまな楽器と演者、スタイルによってオリジナルの世界を試行錯誤しながら構築。多面的なアプローチと妄想的アイディアは、透明で静謐、時に物騒でエロティック、ストイックかつユニークな一面を持つ。自らまたは他者の「生」についての追認、そして普遍的な体験や記憶を辿りながら、時には夢をもコラージュし「普遍的な生」を一貫とした作品の要とする。ライヴ活動を行うかたわら、楽曲提供等の作曲活動も行っている。2019年より自らの作品のアーカイヴに重きをおいて生息中。2024年よりシュウカツの意も込めて、過去から現在のオリジナル作品を録音して毎月配信、セルフプロデュースによるriquoshoo （リコ集、リコ臭、リコ終etc.）に力を注いでいる。
translation by Ai🤖
I discovered composition around the year 2000, and have since been constructing my original sonic world through constant trial and error—working across solo, duo, trio, quartet formats and beyond, with a wide range of instruments, performers, and styles.
My multifaceted approach and imaginative—sometimes delusional—ideas give rise to works that are transparent and tranquil, yet at times dangerous, erotic, stoic, and singular in character. By revisiting my own life, or that of others, tracing universal experiences and memories, and occasionally collaging fragments of dreams, I consistently place “universal life” at the core of my work.
Alongside live performance, I also compose and provide music for other artists. Since 2019, I have placed increasing importance on archiving my own works as an integral part of my practice.
In 2024, I launched riquoshoo, a monthly release project of original works. The name hints at “collection,” “scent,” and “ending.”
translation by Ai🤖
I discovered composition around the year 2000, and have since been constructing my original sonic world through constant trial and error—working across solo, duo, trio, quartet formats and beyond, with a wide range of instruments, performers, and styles.
My multifaceted approach and imaginative—sometimes delusional—ideas give rise to works that are transparent and tranquil, yet at times dangerous, erotic, stoic, and singular in character. By revisiting my own life, or that of others, tracing universal experiences and memories, and occasionally collaging fragments of dreams, I consistently place “universal life” at the core of my work.
Alongside live performance, I also compose and provide music for other artists. Since 2019, I have placed increasing importance on archiving my own works as an integral part of my practice.
In 2024, I launched riquoshoo, a monthly release project of original works. The name hints at “collection,” “scent,” and “ending.”
最近では比較的近い過去の記憶が途切れがちです。後にも先にも進まない、進めない一夏の気怠い時間。2014年の夏に作りました。
I wonder if summers from a while back used to be the season for love? (laughs)
Lately, my memories of the relatively recent past tend to fade. Those languid summer days when time just stood still—neither moving forward nor backward. I composed this in the summer of 2014.